
Kamakiriad (1993)
Fagen’s road-trip concept record, heard properly for the first time — and maybe better than The Nightfly.

Fagen’s road-trip concept record, heard properly for the first time — and maybe better than The Nightfly.

Purple 180g, the new stylus, and one of the great live recordings.

Diverse, a lot of fun, and probably my favourite McBride.

A tired pressing of a great record, and the problem of telling 1974 from forty years of somebody else’s stylus.

A no-skip first side, gauzy engineering, and eighties drums that deserved better microphones.

A Christmas gift, and an argument for the album as texture rather than playlist.

Styx as glam, and the Broadway impulse starting to show.

My winter playlist has finally come to an end with Freddy Hubbard’s 1970 offering.

Miles Davis’ 1959 album has a reputation. One that is earned.

An old classic from a young John Coltrane hits differently now that I’m old.

Man, this is some pretty cool jazz from 1963. Jimmy Smith shows us how the Hammond organ is played.

Grant Green offers a lovely idle from 1965.

A little more Dexter Gordon, as composer and band leader.

A little more Joe Henderson, as composer and band leader.

My second constellation album: Cannonball Adderley’s 1958 stunner, with help from Miles Davis.

My second constellation album: Cannonball Adderley’s 1958 stunner, with help from Miles Davis.

My second constellation album: Cannonball Adderley’s 1958 stunner, with help from Miles Davis.

Lee Morgan’s 1964 hit album revisited.

Donald Fagen’s “True Companion” blends early-’80s sci-fi melancholy with the ancient pulse of Homer.

Alice Coltrane helped celebrate my system upgrade: good-bye to the problematic Gold Note, hello, PS Audio.

A true Fagen classic from the ’80s and his first solo album.

Chuck Mangione just died, so there’s nothing else to do but listen to Feels So Good.

Listening notes on Lee Morgan’s 1964 hit album—man, what a record.

Some notes on my favorite album from Lyle Lovett. Give it a shot: it’ll make you feel good.

Some thoughts about Rickie Lee Jones’ eponymous debut. Someone tell me why it took me so long to discover this album.

David Byrne channels J. G. Ballard in 1994.