Ricki Lee Jones

Albums

Listening notes

Rickie Lee Jones (1979) Rickie Lee Jones
Side B VPI Cliffwood • Grado Prestige Green • Parks Audio Budgie • AE 45 monos

Side B tonight, and it sounds great. Minimal crackle-pop, though there is a little. Rich, with a good soundstage. Pop Pop would be wonderful on vinyl — that goes on the wish list.

“Coolsville” is a moody song. So cool. Such a vibe. “Weasel and the White Boys Cool” really shows off the system: a minimal ensemble placed right across a wide soundstage. She has a fine selection of musicians on this record — how did that happen on a first album? Jeff Porcaro and Steve Gadd? Michael McDonald? I have to admit I did not hear him, but I will be on the listenout next time.

Rickie Lee Jones (1979) Rickie Lee Jones
Side A, under a tornado siren VPI Cliffwood • Grado Prestige Green • Parks Audio Budgie • AE 45 monos

Inclement weather passing through off a tropical storm. The tornado siren has been going for about thirty minutes, but the turntable is working again, so on it goes anyway.

This record sounds great. Acoustic goodness and that voice of hers, which does not sound like anyone else. It is engineered very well. I only got to side A tonight — the siren notwithstanding.

Rickie Lee Jones (1979) Rickie Lee Jones

Upon finishing my premiere listening session in the new studio, I wondered why it took me close to fifty years to listen to Rickie Lee Jones’ stunning debut album. Of course I’ve heard “Chuck E.’s in Love” as it used to get some air-play, but the rest of the album was new to me. Jones’ voice skips, scats, lilts, and swoops with casual acrobatics—sometimes so playful it feels like she’s winking at you, sometimes so …

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